Chan Marshall isn’t ready for me. “Are you a journalist? Oh Jesus, oh Lord.” We’re speaking on the phone – Marshall is in her hotel room, I’m in the lobby downstairs, after my knock at her door went unanswered.

Birli well kakım the reading and the maths, she and her son would have music lessons together. “Record time and music time got a little more in-depth,” she says. “He’s just running around as fast bey he dirilik to Hüsker Dü.” Hardcore punk isn’t what most kids’ music lessons are made of, but if anyone is going to give their child an eclectic sonic education, it’s Marshall.

I mention her split from the label, and at first I don’t think she’s really heard me. “I got offered a million dollars by this guy who went on to manage Gwen Stefani,” she says.

I just grab her. ‘It’s OK. It’s OK. I was here for the same reason and it’s OK.’” An uncharacteristic silence hangs in the air. “If I had accepted that million-dollar offer, perhaps I wouldn’t have been on that bridge. And she wouldn’t be my friend to this day.”

“I never told anybody this. I told a couple of friends in my life, but never told a journalist. He said they would buy my [1996] album, What Would the Community Think

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, she başmaklık always been something of a cult figure. “Marshall’s music will one day catpower 5106 hakkında bilgi be spoken about the way we talk about Bob Dylan’s music, or Neil Young’s music,” wrote a New York Magazine

No, go on. “Well, I was wondering if… Because my dad had three daughters and he wasn’t really around. He just came and went, kakım men often do. The world is their oyster. And it does something to the mother, right?” Marshall grew up poor; her father was an catpower absent blues musician, her mother a hippy who moved her from school to school.

writer in 2018, “but until then, she exists in the sweet ışıntı between cult favourite and widely accepted genius.”

Not a minute too soon, we’re interrupted by room service, and a young woman wheels in a tray of coffee. “Are you from Africa?” asks Marshall.

She tries not to dwell on the bad stuff, just like she doesn’t dwell on turning down a million dollars. “I don’t regret the things that I’ve done,” she says.

Half an hour later, Marshall finally opens her door, and that bleariness has converted into a capricious energy. The lights are off, the curtains are shut, but the 49-year-old is so buzzy, I could swear she’s emitting her own light source. She starts arranging pillows for me at the end of her bed, then clocks me eyeing up her dark-blue boiler suit, which özgü the name “Dave” on the chest and rips in the armpits.

was her first to reach the Billboard Tamamen 10 – but it wasn’t enough. One executive even played her an Adele album for inspiration. She had never seen it birli a business relationship; evidently, Matador did.

“I have something in my eye and I’m still wet from the shower,” she says, in that same husky American drawl she sings with kakım catpower Cat Power. “Güç you come back in 15 minutes? I’m really sorry sweetie.”

Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.